Showing posts with label Anthologies. Show all posts
Showing posts with label Anthologies. Show all posts

Thursday, October 27, 2016

The Edge of the Chair edited by Joan Kahn








Happy Halloween (slightly early)!  Here is Night on Bald Mountain by Modest Mussorgsky to listen to (but play it softly!) while reading today's post!  

Of course I must write at least one review about a scary book I have read, although in fact I am reading three concurrently.  I'll write reviews of those when I have finished reading them.

I can't remember where I found The Edge of the Chair.  Either east of me at a book fair in Marshall, Texas (where the public library there has several fairs where they sell thousands of books throughout the year.  It is the best type of fair I've come across and for a dollar a book, you really can't beat it!) or west of me at an Independent bookstore in Gladewater, (the Capital of antique stores, at least in East Texas) called, crazily enough, Gladewater Bookstore.

The Edge of the Chair is an anthology of both fact and fiction.  

The fiction stories are by authors such as Alexander Pushkin (The Queen of Spades); Ambrose Bierce (A Watcher by the Dead); and others such as Graham Green, Harold Pinter, Jack London, Agatha Christie, Rudyard Kipling, and William Faulkner.  John Buchan, G.K. Chesterton, Guy de Maupassant and Dorthy L. Sayers also contribute to this section.  There are more but I list the ones who have not since disappeared into obscurity.  (The book was published in 1967.)

The above writers do not always write of the supernatural but also mystery and suspense.  Some, like Pushkin's Queen of Spades offer a combination of the supernatural and the psychological.  The stories range from thrilling to entertaining but all were fun to read.

Bierce's A Watcher of the Dead also combines the psychological with the supernatural or so we are lead to think.  Two men bet a third man that he won't spend the night in the room with a dead body because our primitive psyche will project supernatural conclusions, over riding what our senses tell us.  The third man decries any notion that man cannot reason himself out of any situation and accepts the bet.  The conclusion arrives with unforeseen consequences that inflict everyone involved.  

Dry September by William Faulkner is horrible not because of its suspense but because of its all too accurate and harrowing picture of the South in Jim Crow times. A woman, for no other reason than loneliness and a desire for attention and importance, falsely accuses a black man.  This offers certain citizens of the town, one thug in particular, to act out his own criminal proclivities with the contemporary culture on his side.  Not even because most of the people in the town like him or agree with his intent, but because it's easier to stand by and do nothing.  

Other stories by Agatha Christie, G.K. Chesterton and Dorothy Sayers are fun mysteries.  Christie, is the usual whodunit.  Chesterton's is always more than a whodunit, but rather a why did he do it?  The reasons are always comments on the inner motives of man and the truths they cling to and follow to their logical end, even if it means murdering someone to maintain the illusion. 

 But the anthology ends with a a story by Sayers that is as suspenseful as the ending is unexpected and, if I may say so, hilarious.  I give no titles so as not to ruin the opportunity for any reader out there who may run across any of these stories in other collections.

These are only a couple of the fiction stories I offer as a sample.  The remaining stories are non fiction.

These stories include descriptions of murder trials, some where the narrator is obviously sympathetic with the victim(s) and others where the narrator clearly defends the murderer(s).  The latter, as in the case of Rattenbury and Stoner by F. Tennyson Jesse, the author justifies the murderers, if not the crime, and roundly condemns society for judging these poor oversexed lovers who felt compelled to kill the one lover's husband.  His argument was they lacked the intelligence to do otherwise and therefore should not have been found guilty.  I was not convinced. 

A particularly fascinating non fiction is by William Seabrook who describes a personal experience in Haiti with zombies in Dead Men Working in the Cane Fields.  His graphic descriptions and personal conclusions left me thinking about the possibility  Zombies and a desire to read more of his writing.

Another non fiction was Shattering the Myth of John Wilkes Booth's Escape.  I did not know this but back when this account was written, a family had in their garage a coffin with what they avowed was the corpse of John Wilkes Booth.  The author, William G. Shepherd traces the history of the man behind the corpse through documents and letters to prove who the body actually belonged to.

There are many non fiction stories some interesting, some less so but hands down the best was an excerpt from Antoine de Saint-Exupery.  Most people recognize Saint-Exupery as the author of La Petit Prince (The Little Prince).  He was also a pilot and wrote several books both fact and fiction about the adventures of flying during the thirties and forties.  Prisoner of the Sand comes from his novel, Wind, Sand and Stars.  This particular excerpt is about a time he and his co pilot crashed his plane in the desert of Saudi Arabia.  Their ordeal and final deliverance is one of the most nail biting stories I've ever come across and, as a result, I bought the book.

The Edge of the Chair was a gem of a find, and I encourage you to scour your local bookstores and library fairs (or ebay or Amazon, which is easier if less fun) for a copy.






Thursday, November 6, 2014

The Penguin Book of Vampire Stories edited by Alan Ryan

As I said in the previous post, even though these book reviews are being published in November, these are the stories I read throughout the month of October.  Autumn is the perfect season for scary stories, although I suppose the dark wintry days and nights in January would also suffice.

The Penguin Book of Vampire Stories is another anthology of stories dating from 1816 (The Fragment of a Novel by Lord Byron) to 1984 (Bite Me Not by Tanith Lee).  If one starts reading at the beginning and works his way to the end, he can see a transformation of the idea of Vampirism and the stories change accordingly.

Lord Byron wrote his fragment as a part of the contest that also included Mary Shelly's Frankenstein.  Whether Byron's story would have ultimately beat Shelly's will never be known because he quickly lost interest in writing it and took off for Europe with his companion, John Polidori.  This friendship deteriorated as well and Polideri and Byron parted ways on such acrimonious terms that Polideri wrote a Vampire story to its completion and to anyone who has read it, it's obvious who the Vampire is.  Hint:  Mysterious aristocrat appears at all the wealthy parties, seduces woman, and destroys their lives.  Not because he's a playboy, but because he's a Vampire(!) and sucks their blood for a living.

This collection also includes Good Lady Ducayne, Carmella, For the Blood is the Life as well as M.R. James An Episode of Cathedral History.  All of which deservedly have their place in the Hall of Greatest Vampire Stories Ever Told and been reviewed in my previous post.  That is the difficulty with anthologies.  One tends to come across the same tight circle of stories by the same authors.

 M.R. James' in 1919.  After that there is a jump of some years to 1931 and the stories develop into Science Fiction.  No longer is the Vampire simply evil.  He now is a predator, perhaps from another planet or a spiritual predator.  This last type is in perfect keeping with the older ones that were allegories of good vs. evil or the Christian being attacked by Satan.

The best example of the latter is The Mindworm (1950) by C. M. Kornbluth.  His vampire feeds off people's thoughts but is waylaid by a surprisingly old fashioned method. An example of the former would be Shambleau.  It takes place on another planet where a spaceman Spiff type character meets a strange woman creature who turns out to have her roots in the legend of Medusa.

I must confess the last few stories didn't interest me at all.  They were written after 1950 and have a definite modernist viewpoint.  By that I mean that the vampire is no longer a bad person.  Oh, he or she still preys on people, sucks their blood and all that but now it is an expression of their love. Or simply their nature and since right and wrong doesn't exist anymore, who are we to judge? The straw characters who are set up to judge in these stories are very stupid, narrow minded people indeed.  At least that's how they're made to look in these stories.

  I think one of the best stories is Carl Jacobi's Revelations in Black.  A man finds an old book in a bookstore, brings it back to his apartment to read it but finds that by reading it, he has unbound the "people" that were imprisoned by it.  I like the gradual revelations the story produces and the imagery it provides.  The man's escape is very narrow and exciting for the reader.

The editor provides a brief biography of each author and other works they wrote.  As a result I've enlarged my library-especially my Kindle- with more collections by these same writers.  The good news is because of the age of these writers most of their works are in public domain.