Wuthering Heights by Emily Bronte

Like my review of Jane Eyre, I give everything away because I assume most of you have read the book.  However, if you like surprises, read no further.  I would point out that the story of Heathcliff and Katherine is much more complicated than what any of the movies show.  They simply don’t do justice to the many sides and colors of the characters in this novel.

Wuthering Heights is one of my favorite novels, one that I’ve read many times and just recently read again.

It wasn’t always my favorite. The first time I read it I was in high school.  I didn’t enjoy reading it; I was only waiting for Katherine and Heathcliff to die so they could burn in hell as they so richly deserved.  Why does evil always seem to overpower good in so many books?  I thought.  Why can’t goodness put up a fight?

Later in my twenties I picked the book up again and skimmed through some of the passages.  I came across certain parts that I saw in a new light.  I saw that the people who seemed so weak and ineffectual at my first read were not quite so helpless after all. In fact, good does win out and it does in a way that is less obvious but closer to real life than is portrayed in many Victorian novels.

The events in Wuthering Heights start during the American Revolutionary War, even though this contemporary historical event is never alluded to.  It ends thirty years later in 1801.  Part of this lack of any reference to important historical events may or may not have been intentional on Ms. Bronte’s part but it certainly reinforces the sense of isolation that surrounded the Moorish wilderness and the people who inhabited it.

Katherine Earnshaw and her brother, Hareton are young children waiting for their father to return from a distant town.  They are eagerly awaiting the presents their father has promised them.  Their father finally returns, but instead of receiving presents, they are presented with a little foreigner, an abandoned gypsy child. 

The orphan is named Heathcliff and the name serves as both his first and last name for the rest of the story.  The father dotes on Heathcliff, Hareton develops a maniacal hatred for him and Katherine, after her first angry outburst (she spits on him) over the loss of her presents, develops with Heathcliff a close friendship.

While the father is alive, Hareton barely tolerates Heathcliff and physically abuses him as much as he is able to get away with.  Unfortunately for Heathcliff the father dies and Hareton, who is now a young man, is head of Wuthering Heights (which is the name of the estate).

Heathcliff and Katherine endure a living hell at the hands of her brother.  Heathcliff loses his place as a member of the family and is made to work as a servant.  Hareton leaves both Heathcliff and Katherine’s upbringing to the oppressive Joseph, an old servant who is as harsh and merciless a Pharisee that ever blighted the earth.  When he wasn’t boring them with long sermons, he was pouring venomous proclamations over their head, informing them of what horrible sinners they were that ever blazoned a trail to hell.

Hareton had a flighty little wife whom he adored and who kept him preoccupied.  She tragically dies of tuberculosis while still a young woman.  Tragically for Heathcliff and Katherine that is.  Hareton never recovers from his grief and sinks into a life of alcoholism, depravity and abuse.  If he was cruel to Heathcliff before, he works at outdoing himself now.

All Heathcliff and Katherine have are each other.  They escape to the Moors where they spend most of their days rambling about. Their common experience of abuse and neglect bond them tightly together. This is how they spend their childhood and adolesence.

Then a circumstance happens that changes everything. Katherine becomes friends with the children from a neighboring estate.  Edgar and Isabella Linton are introduced into Katherine’s life and for the first time she learns to become a lady and relatively civilized.  Linton falls in love with Katherine, who is by this time a teenager and extremely beautiful.  He proposes and Katherine agrees to marry him.

Nellie, the housekeeper of Wuthering Heights, and incidentally the narrator of the story, chides Katherine for so blithely abandoning Heathcliff.  Katherine explains to Nellie that she is marrying Edgar for Heathcliff’s sake.  She insists the money and status she will acquire through marrying Edgar will be used to elevate Heathcliff from his degraded state.

This is a naive, if not outright dimwitted, attitude on Katherine’s part.  Edgar and Isabella have shown nothing but disdain and contempt for Heathcliff.  They cannot look beyond his slovenly appearance, coarse manners, or the fact that he belongs to a different and what was considered back then to be an inferior race.

When Katherine confides her plans to Nellie, she doesn’t realize that Heathcliff has overheard her.  He runs away and disappears for three years.

When he returns, Katherine is married to Edgar and living at Thrushcross Grange, the Linton’s estate.  The Lintons’ parents have died by this time, leaving a group of very young and inexperienced people living by themselves.  Woe to them.

Here the tale turns into what could be titled, “The Revenge of Heathcliff.”  Heathcliff presents himself to Katherine and the Lintons and a pretty formidable picture he makes.  No longer the ragamuffin servant, Heathcliff is dressed and talking like a cultivated gentleman.  His accent is slightly foreign, maybe American, which leaves Nellie and the reader to wonder where he has spent his time, maybe fighting in the American wars?

Katherine immediately renews her friendship with Heathcliff and doesn’t bother hiding not only her affection but her passionate love for him, much to Edgar’s consternation.  This leads to a final confrontation between the two men that ends with Heathcliff being banished from Thrushcross Grange.

How does Heathcliff spend this time?  By gambling with the by now, permanently drunk and half-crazed Hareton.  Heathcliff eventually wins all of the Earnshaw property and wealth and perhaps even helps quickens Hareton’s death, although Hareton carved a pretty brilliant path to self-destruction and hardly needed anyone’s help.  This leaves Hareton’s son, also named Hareton, a pauper and ward of Heathcliff.  Although Heathcliff keeps young Hareton illiterate and works him as servant (as he was treated by the father) he nevertheless develops an affection for him, perhaps because Hareton, who also suffered abuse and neglect from his father had developed a similar fierce fearlessness as Heathcliff did. 

Possessing Wuthering Heights is not enough for Heathcliff and he determines also to possess Thrushcross Grange.  He does this by wooing Isabella.  He manages to persuade the innocent and very, very naive Isabella to run away with him.  She soon learns to regret her decision.  If Wuthering Heights was written today I’ve no doubt the readers would be treated to more graphic descriptions of just how badly Isabella was treated a la Fifty Shades of Gray.  Being a Victorian writer, Bronte kept things subtle so as to clearly convey to the reader that Isabella’s plight was a grim one without robbing us of our imaginations.

Katherine cannot cope with the conflict between her husband and Heathcliff.  She throws herself into a passion which leads to a brain fever and eventual death.  Before she dies she gives birth to a baby girl, also called Katherine.  Bronte doesn’t inform us of Katherine’s pregnancy until after she has died.

Katherine dies half way through the novel.  The rest of the novel involves Heathcliff as a cruel and tyrannical overlord to the people at Wuthering Heights and eventually at Thrushcross Grange which comes into his possession after Isabella bears him a son.

Isabella and Edgar both die young which leaves Heathcliff with everyone’s children.

Again, this is where the story begins to turn around again.  At first when I read this book I could not see it, but now I clearly see how Emily Bronte created wheels inside of wheels. 

Heathcliff has wreaked revenge on everyone.  So he should be satisfied, right? 

Actually, no.  With the exception of his own son, called Linton, the children of Hareton, and Katherine and Edgar show that they have strength of character after all.  They just needed trial and tribulation to bring it out.  Interestingly, Heathcliff’s own son is sick and weakly but just as hateful and spiteful as Heathcliff is.  He is selfish and peevish to the point where Heathcliff can’t bear to be around him.

I must confess I also enjoyed Isabella and the way she learned to enrage Heathcliff with her tongue.  He could degrade her, imprison her, verbally and physically abuse her, but the one thing he couldn’t do was shut her up.  She made herself such a thorn in his side that when she eventually ran away, he didn’t pursue her.

The other children, young Hareton and Katherine, overcome their initial degradation at the hands of Heathcliff and rise to surpass him, even though they are still in his power. 

Heathcliff, in the end, realizes that even though he can take away their money, wealth and names, he can’t conquer their spirit. 

More than that, he realizes that all he ever wanted was Katherine.  For the twenty years following her death, Heathcliff believes that her ghost has been haunting him.  In the end he dies in the prime of health and still young but no cause of death can be found.

The story ends with Nellie affirming to her listener (a young man who only comes into the novel at the beginning and the end and serves no purpose other than to be the audience who listens to Nellie’s story) that many people have witnessed the ghosts of Heathcliff and Katherine wandering the Moors together.

I take that back.  The man does serve a purpose because he offers another first person narrator in addition to Nellie, who really provides more of a third person narrative even though we know it is she who is telling the story.  This man presents the characters to us from his own point of view, having met Heathcliff, young Hareton and Katherine at the beginning of the book when they are having a rough time of it, and at the very end, after Heathcliff’s death. 

And, come to think of it, he provides another purpose because he is a typical 19th century dandy.  His cultivated, aristocratic person throws into sharp relief the remoteness of the characters in the story as well as the desolateness of their surroundings.  Next to him, Heathcliff and the rest seem even more strange.

This has led some to wonder if Emily Bronte was making it questionable if Nellie was telling the truth.  After all, she’s just a maid, whiling away the time by spinning yarns and sharing gossip about the people she works for to a bored visitor who is laid up with the flu.  We only have her word for it.

 Personally, I don’t think so.  I think it was simply a narrating device that Emily chose.  She wanted to tell the story in the first person so she needed a first account witness and she wanted an audience member who is marginally a part of the story so Nellie could tell the story to him rather then speaking directly to the reader.  It also allows her to give two different “camera angles,” if you will, of her main characters.

Another attribute of this novel is the psychology involved.  I suppose one could explain Katherine’s wildness and Heathcliff’s almost psychotic behavior to the unprincipled and abusive lives they lead under Hareton Earnshaw. But why isn’t the same true for the young Hareton when he was raised the same way under Heathcliff?

That is another aspect of the novel that I found thought-provoking.  There were those, such as Heathcliff and Katherine, and to a lesser extent Isabella, who became hardened, strong willed and selfish due to their treatment.  Then there were Edgar Linton, young Hareton and young Katherine whose trials caused them to rise to the occasion and become better people than they were when their lives were easy (even though Hareton’s life didn’t become easy until after Heathcliff’s death.).  Why is that?  What was Emily Bronte trying to say?

She gives some clues in her descriptions of each of her characters before bad things happen to them.  Emily conveys each person’s attributes and how they blossom to their full potential when they undergo hardship.  One has to read the book to fully appreciate this. Bronte would have made a great behavioral scientist.

Later, after Heathcliff’s death, Hareton’s property returns to him as does young Katherine’s to her.  I’ve told you everything else.  Should I also tell you that Hareton and young Katherine fall in love?  Their relationship starts out stormy but turns to devoted friendship-while still under Heathcliff’s iron fist, mind you-and eventual marriage which finally  returns and unites Wuthering Heights and Thrushcross Grange under their rightful owners.

Really what makes this such a great novel?  Is it the story line?  Maybe.  To me what makes the story enduring are the vividly drawn characters and their richly constructed dialogue, something I can’t recreate in this review. Bronte uses beautiful vocabulary and a delicious style of speech that doesn’t exist today. I enjoy reading certain passages over and over again just to let the words roll around in my mouth.  I relish her tart wit and dry humor. It sparks my imagination. Our language has devolved over time.  Compared to then, today we talk like a bunch of monkeys.

I could go on but this story really supplies the reader with so many different angles and topics to consider that I think I could continue to read it every year and still discover some other nugget that Emily Bronte was trying to show through her one and only novel.  It was published a year before her death at the age of thirty-one. Wuthering Heights is credited with being the first Gothic novel and introducing the concept of the “anti-hero.”

My copy is an old 1943 hardback that is illustrated with the original woodcut drawings.  It is part of a boxed set with my Jane Eyre copy.  It has an introduction by Emily’s sister, Charlotte, that offers insight into her sister as well as her own clearly expressed opinions of Emily’s masterpiece.  (Hint:  she didn’t think it should have been written.)

I hope my review has encouraged its readers to get a copy (or dust off your old copy) and read one of the most brilliant books written in the English language.

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Jane Eyre by Charlotte Bronte

    The first time I read Jane Eyre, I was sixteen years old.  When I finished my thoughts were filled with disgust:  How did I possibly enjoy all the teen romance books I had previously read when they were nothing but a bunch of drivel?  This book is what true romance is all about!

      Since then I have read Jane Eyre several times, the most recently a couple of weeks ago, and each time I’ve read it I’ve gotten something more out of it.

Spoiler Alert!

       I suppose everyone has either read the book or seen one of the many movies made about it,   Just in case, know that I will be giving away some crucial plot developments so if you don’t know the story, don’t rob yourself of the thrill of surprise, shock and discovery by reading my review.

        An orphaned girl, Jane Eyre, is sent away to live in a strict boarding school where she suffers abuse and neglect.  After graduating she gets a job as a governess to a young French girl at a manor, Thornfield Hall, out in the country.  She eventually meets the Master of the house, Edward Rochester, and, as time progresses, she falls in love.

       Why does she fall in love?  For the first time, someone treats her with respect, treats her as his equal.  Spends time with her, enjoys her company as much as she enjoys his.  She fights against her feelings because she knows their stations in life will prevent them from ever marrying.

        In addition to that, it appears Rochester intends to marry another.  A young woman from a neighboring manor seems to have won his affections.  Blanche, tall, as beautiful as a Spanish princess, strong willed and high spirited has made it clear that she determines to have Rochester for a husband.  Who can fight against her beauty, her charms, her passionate personality?

        Not Rochester.  He talks to Jane often of his nuptial plans.  She tries to bear it but one evening she is over come with emotion.  The most romantic scene in the whole book, and my favorite ensues:

        Do you think I can stay to become nothing to you?  Do you think I am an automation?-a machine without feelings?  and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup?  Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless?  You think wrong!-I have as much soul as you, - and full as much heart!  And if God had gifted me with some beauty, and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you.  I am not talking to you now through the medium of custom, conventionalities, or even of mortal flesh:-it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God’s feet, equal, -as we are!”

       “As we are!” repeated Mr. Rochester “-so,” he added, enclosing me in his arms, gathering me to his breast, pressing his lips on my lips: “so, Jane!

       

  It turns out, that Rochester was purposely provoking Jane in order to draw this confession out.  There is a lot of witty dialogue in this section of the novel, including some telling ones on the mercilessness of the upper class towards the people “beneath them.” 

        Rochester declares his mutual love for Jane and they plan to marry.

        They don’t marry, however, due to the fact that at the wedding altar, someone announces the Rochester has a wife still living.  This pre existing wife turns out to be a lunatic.  Rochester tempts Jane to still stay with him. He claims their love does not need to be bound by conventional norms.  Which is another way of saying, “Be my mistress.”

      Jane shows her mettle by tearing herself away from Rochester and running away under the cover of the early morning, flees to she knows not where, and almost starves to death before ending up in an obscure village at the house of a minister, St John the Baptist, and his sisters, Diana and Mary.  A whole sub story occurs here as Jane learns to live again and enjoy her life with her new found friends.

      Again, Jane is tempted.  Not by love this time, but still by one who wants to marry her.  St. John the Baptist wants her for a wife so she can travel with him as a missionary to India.  Again Jane shows her mettle by standing strong against one who has a powerful personality and is determined to bend her to his own will.

      The contrast between Rochester and St. John are dramatic.  Rochester has black hair and coal black eyes.  His personality is one of passion and fire.  St. John is as handsome as an Adonis with blonde hair and blue eyes.  He is as icy and Rochester is fiery.

        I found this section of the book especially fascinating because St. John does not try to tempt Jane through love or romance but by manipulating her conscience.  He does not tell her that HE wants her to come to India but that GOD does.  If she refuses to come, she is not opposing St. John but rebelling against God.  The dialogue that ensues back and forth between Jane and St. John is compelling.  But although St. John gives forceful reasons, uses inflammatory language and religious “powerspeak”  to vanquish Jane’s objections, she’s up to the challenge and counters his every point.

      St. John doesn’t give up, however, and it seems victory is his through wearing Jane down through attrition.

           But just as Jane is ready to give in to his demands, something unexpected happens. 

           There is a lot of religious symbolism and many implications that God’s hand is involved in each turn of event in the story, but this is the first time in the novel where the story delves into the obvious supernatural.

             Jane runs out of the house, listening intently to something.  What has she heard?  Rochester’s voice calling to her.  Is she mad?  She doesn’t know, she doesn’t care.  She packs and returns to Thornfield Hall. 

             By this time, Jane has become independently rich.  It turns out she wasn’t completely abandoned but had an Uncle living in the Caribbean.  This Uncle is also the one who had connections to Rochester’s wife’s family and through a series of coincidences was able to prevent Rochester’s bigamous plans.  However, the episode so upset him that he became seriously ill and eventually died. He left all his money to Jane Eyre.

       Jane is now not only rich, she is filthy rich.  Through the inheritance she discovers that St. John and his sisters are her cousins (Yes, cousins married back then. Let’s move on.) She generously divides her riches with her cousins, which still leaves her a very wealthy woman. 

      She returns to Rochester to find him a shattered man.  His lunatic wife had finally succeeded in setting Thornfield Hall on fire and, as he was trying to save her, she jumped from the roof to her death.  A beam falls on Rochester causing him to lose an eye and one of his hands.

     Jane doesn’t care about his mutilated state and since they are now free to marry, they do.  Together they travel the world, keep house, have children and are frequently visited by Diana and Mary, St. John having finally left for India without her.

      

       As a teenager I identified with Jane Eyre because I was shy and withdrawn.  I had my few close friends but much of my time was spent indoors either practicing the piano or reading books. I could identify with her sheltered existence, her need to experience the world, to fall in love....

       Later, in my twenties, I had fallen in love, gotten married...so I no longer needed vicarious romance but I still loved Jane because of the inner fire that is buried inside her tiny frame until it is ignited- not only by love, but by having the strength to do what is right when every thing inside of her wanted to do what was wrong.

       As the years and a divorce went by, I once again connected to Jane because I understood her struggle to survive and, after procuring a secure living, suffering through loneliness and depression because humans were made to do more than just exist.  I felt her longing for something more.  For a relationship with someone who was her intellectual and emotional equal.  I also respected her determination to sacrifice this desperately needed relationship in order not to compromise her Christian beliefs.

      The Christian symbolism throughout the novel did not become obvious to me until this last time when I read it.  One example is when Jane tells Rochester that she dreamt of a maniac coming into her room and the next morning finding her bridal veil torn in two from top to bottom.  (Matthew 27:51)

  And, of course, the conclusion that reflects Matthew 5:29-30.

    Besides all that, Jane Eyre has those wonderful ingredients that make it an enduring novel.  Powerful, multidimensional characters, strong dialogue and not only an outer, overlying story, but many underlying stories.  And, I’ve already mentioned the religious symbolism.

      In another few years, I’ll have entered into another season of life.  I wonder what I’ll discover in Jane Eyre then?

Charlottte Bronte 1816-1855

      This will be my last post for a couple of weeks.  I'm taking my son on a trip to Europe as a graduation present to him.  I won't tell you where we're going, I'll just say Buon Viaggio, Auf Weiderluege, Au Revoir, y hasta el tercero de Julio! God bless!

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